Wednesday, April 28, 2010

Toss Me A Cigarette, I Think There's One in My Raincoat

April 16th:

There was a woman on the metro collecting money from people this morning. Each time someone handed her a token amount, a folded dollar bill, a clasp of quarters, she held it high in her hands and kissed it theatrically.

I am taking an afternoon bus to UCLA. Highland/Sunset, Bus #2 is written big across my palm. A man who was at the bus stop before me chain-smoked cigarette after cigarette. I waited 25 minutes watching the passers-by by foot, by bike by car. There was a white mercedes full of old people and a nervous collegiate-looking guy in a polo shirt. There was a couple who beamed at the bus stop standers. There was a bearded man on a bicycle with a long thick braid. There was a man across the street who had dug through the trash cans on every corner of the intersection and amassed a meal. He stood eating it by a trashcan. He was golden and his skin was dirty. He had a big, worn book with the covers missing, and beamed at me cynically as he walked past. A jocular buddy approached him and punched him on the shoulder while he was eating.

The smoking man got on the bus the same time as I did, rode 2 blocks, then walked off. I could see him heave as he coughed in the heat, the sun shining on his pinkish bald spot.

The man across from me on the bus looks like a big buddha. He's cradling a large, Zen-green flowerpot with a few sleepy red flowrs in it.

The inside of the bus is much, much cleaner than the city outside it. But the view changes as we move further West down Sunset, streetlights begin to recede, clean-clipped hedges spring up. Despite the divide between the grit and grass here, or maybe partly because of it, I'm beginning to love this city. And it's at these times, on the bus or the metro, that I realize it most. I don't think you can truly love a city until you have freedom, or until you have your freedom in it. And it's here, on the gossamery line between points A and B, traveling through uncounted time that doesn't exist, that I feel most free.

Friday, April 9, 2010

1/30

A gun shot through the head and

my father cried last night so loud
I thought he was hiccuping
his shoulders breathing too much
ocean air.

my father cried last night so loud
everything unsalted turned petty, soured
my crowing muscles bled lactic acid and were reduced to
turkey jerky.

my father cried last night so loud
he cut my cries at the throat
told 'em to spin glass chips from my
eyes instead.

my father cried last night so loud
he sent the sugar on my tongue mining
into my teeth for protection
without lanterns.

my father cried last night so loud

and I went digging on the ocean floor
without a pickaxe, without a shovel
a glowing fish showed me the blood type of coral
before becoming the moon
I tried to climb there
without a pickaxe, without a shovel

with just a rope
in the moonglow of the
subzero night
in the waxen desert
where all the water

falls.

Monday, April 5, 2010

She Said the Man in the Gabardine Suit Was a Spy

I.

And it is with movement that all the best stories begin.
There are no words in the vacuum of stillness.
All the stories are in the rolling, the creaking, the click-clack of train wheels, the clean light spaces rushing through grey smoky tunnels. Moving means noise, means wiping clean, means scribbling.

II.

The first thing he says to me is, "You look tired."
I think I am. My stomach hurts, and I was already in the mood to feel sorry for myself. I usually like to ride the metro standing, arm curled to cradle a book, and read or look around at the other riders, make up stories about where they came from, where they're going. A jerk on the metro wouldn't move his duffel bag to give me a seat, so a middle aged black man did. He moved his navy sweater over, and as I sank down into the empty space, he said, "You look tired." His companion nods. The man is missing a front tooth, and he has very short, whiting hair. (Later, gesturing toward the empty space where his tooth should have been he says, "I took a fall...I was going too fast...") I think I shrugged a little, or nodded. I was listening to a sad song, and I pulled out my earphones. "Thanks," I say, for the seat.

It's Good Friday. Some people still have ash thumbprints on their foreheads. He asks me if I'm Jewish. I shake my head. Armenian? Persian? I'm surprised that he's guessing something so close. Most people guess Dutch. I don't know why this is. I am not blonde.
"Close," I say, "Iraq."
"So what's your religion?"
"Oh, I'm Muslim."
"Really? You don't cover?" He waves his arms around his head. "You don't wear a---jab--na--"
"Hijab? No."
"Huh. You real liberal?"
I hate this question. It's grating, makes me grind my teeth together. I feel like he's asking, So, you're just sorta Muslim, right? Like, a wonderbread Muslim? Like some sorta got-some-artificial-ingredients-in-there-Muslim?
"I mean, the Hijab isn't really necessary." I'm trying to explain..."My mom never wore one. When she was my age, she even wore shorts."
"In Iraq?"
"Oh yeah," I'm thinking about what people see on the news everyday, so I add, "But I guess times are changing."

Yeah, he says, you and me, our nations, the Black nation, the Iraqi nation. We're in the same place. He pauses. You ain't shy, are you?

No, sir. I reply. Not really.

III.

A long time ago, he was a trumpet player. "One of the five black students in my class at Cal Arts." We talked about reeds, the blues for a while. The metro made a few stops. Folks filed out. Folks crowded in. Now, a man enters. He looks like he's probably homeless. He's leaning a little on a cane, and although doesn't look frail, he seems so. He has a bunch of white plastic spoons and sporks, the kind you'd get at a cheap restaurant or from some sterile cafeteria, stuffed into the breast pocket of his frayed, grungy grey jacket. The car doors swish shut, and as the train lurches to a start, the man sways and collapses. He tries to wave his cane a little to stand, but he's too awkwardly splayed. For 10 long seconds or so, the man lays there helplessly as the man nearest him stands looking down at him.

"Come on, man!" My seat-partner finally shouts. "Help a brother up!"
"Poor guy's drunk," he whispers to me. "Once they start down that path--the drink, the drugs, they fall. Well. Now you know how I fell..."

The standing man begins to reach toward the drunk, and my seat partner's friend stands. I feel like I should gave stood, too--should have given the drunk man my seat--but it's too late. The guy's helping the drunk to his seat, and the man next to me says, "I'd give him my seat but we can't have him sitting by a young lady."

IV.

You seem like a story teller. I don't know quite how the conversation turned, but he began telling me about a girl named "Knacka" (pronounced "na-ka"--I don't know how it was spelled, that's just how I imagine it being pronounced. My new friend slurred his words very slightly. His breath as he spoke had the somewhat-rank smell of cheap wine.) She kinda look like you, same face. Started killing when she was 8, 9 years old. In for so many murders. Started on the drugs. I was sitting by her on the bus to the pen (I forget just how he referred to jail), tears were streaming down her face but she was so gorgeous. But she was so young when she learned to pull that trigger. She had to.

How old was she?

The train was slowing at the Vermont/Sunset station. "You getting off at this stop?" He was reaching for his bag.

No...

Got a pen? I have so many stories. I can tell you so many stories.

(I'm reaching into my bag for a notebook) D'you have an email? I say stupidly.

He laughs at me, "No, girl. I don't have any of that. You know LA housing?"

No...The train's stopped. He yells to his friend, "hold the door" He's really taking his time.
"Kylo, you crazy?" His friend shouts. People are staring. "LA Housing!" Kylo calls as he jumps off the train. Another man on the train gives me the address. The drunk man across from me is sadly looking down at his beard. I start writing.

Thursday, April 1, 2010

I Got Rejected From Yale Today

and I feel fine. Well, almost. I won't pretend that my lacrimal glands weren't activated today. I was shocked. Shocked and awed. Naomi Klein, you could probably have scared me into doing anything. But, surprisingly (yes, to me, especially to me), of all the things I'm questioning--the admissions committee's sanity, what I'm supposed to do with myself next, what God is thinking--myself isn't one of them. I'm proud of everything I put on that application. I'm proud of myself. I'm proud. (Not in a pompous way, however much this blog post may lead you to believe so.) I learned to have enough faith in myself to believe I could get in despite fighting mental paralysis to get my...stuff together. I fell in love with essays (and learned to love tough love). I wrote a personal statement that made my mother cry as she shopped for a refrigerator at Costco. And I'd like to think I was earnest, which, after all, is really the thing to be.

When I got home today, I went for a long run on the beach. I watched the sun sink, and as I beat the lasting light home, I figured that even if I have to sink, even if I have to relinquish my fantasy of a day to a humming twilight, star-peeks, moonrise, I can do it damn beautifully. Sunrises are golden paint, everything's better by the time the sun cookie-cuts quarters from your cheeks, but really, that's not the point. The fact that you know there will be a sunrise is not the point. The morning does not hold the glory. It's the way you fade, the way you relinquish yourself to the inevitable, that makes you.

As much as I'd like to believe the nay-sayers, the angry ones, those who can't believe they didn't get their second chance at Hogwarts and say screw the Ivies and legacies and private school quotas, I can't. Among the many nose-blowers tonight, I consider my (now) dry-eyed self the luckiest. I got to spend an enchanted year in what will always be, to me, the most magical place in the world. I found friends in New Haven, and at Yale, with whom I felt more comfortable than those I'd known since toddler-hood. And maybe, just maybe, that's enough.